“After evolving in the advertising world for over 25 years as an art director and an illustrator I felt the need to pursue in greater depth my own artistic journey. Painting was the only logical direction I could take as my experience, personal taste, longings and training, had prepared me for this path.”
- François Chartier
Chartier describes his approach to hyperrealism as theatrical. He first must find the right object or objects with which to build a set. He then extensively photographs these objects to ultimately achieve the right composition and lighting. For each painting, he takes hundreds, even thousands, of photos and later uses his Photoshop skills to correct and, in some cases, combine the images. He works from both the selected images and the still life itself.
He works on big canvases to render his subjects larger than life size. His goal is “to capture viewers and make them look at something they know but at a different angle with the smaller details revealed in their beauty and simplicity.” Before painting, he coats the canvas with a gesso base to mute any signs of texture and brush stroke. Weeks later, he adds the finishing touches and varnish.
‘Precious’ Oil on canvas, 106 x 214 cm
During the execution of ‘Precious’ Francois Chartier had been working on his ‘Paper Beauties’ series, in which he drapes crumpled tissue paper around a still- life object for an interesting juxtaposition. ‘Precious’ is an evolution from that series. He replaced the white paper with transparent cellophane but a similar concept was initiated, the flower in that painting is also floating in a box full of water. Chartier experimented with this idea as he liked the way the light hit the subject through the water, fulfilling his need to create as much mood and drama through lighting.
The photographic test and experimentation carried out during the making of ‘Precious’ brought him to further develop his exploration into water, light and the use of flash photography which stopped the movement. ‘Summer Passion’ was the result of this progression. The flower and the coloured fabric float weightlessly in the water, hit by the light, going through the image and reflecting in the rippled surface.
‘Summer Passion’ Oil on canvas, 91 x 204 cm
Clockwise: ‘A Vacation to Remember’ Acrylic on canvas, 147 x 147 cm
‘Let's Go For a Ride’ Acrylic on canvas, 147 x 147 cm
‘Where Have I Parked the Batmobile’ Acrylic on canvas, 147 x 147 cm
‘You're in Good Hands’ Acrylic on canvas, 147 x 147 cm
One of Chartier’s most striking subjects is that of childhood memorabilia crowded together and painted larger-than-life in his unique airbrush technique. Looking at his paintings can be a nostalgic joy as familiar characters from Batman to Corky are half-hidden among the colourful chaos. Yet it is not just that his work sparkle with a certain humour, because they are also bathed in a magical light. From coloured glass and marbles, to glossy metals and plastics, the paintings echo Chartier’s journey to understand such reflective and transparent surfaces, and to convey his sense of wonder and intrigue over them.
'Iceberg XII' Oil on canvas, 61 x 61 cm
If you would like any further information on the gallery visit www.plusonegallery.com, email firstname.lastname@example.org or call 020 7730 7656
B & C Trafalgar House, Juniper Drive, Battersea Reach,
York Road, London, SW18 1GY, U.K.
Opening times: Monday - Friday: 10am - 6pm
Saturday: 10am - 3pm